LA MISE EN SCÈNE DU RÉPERTOIRE À LA COMÉDIE-FRANÇAISE (1680-1815)

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Largely based on hitherto unpublished documents, this study aims to show that the principles of mise-en-scène were not born, as is usually assumed, in the 19th century, but actually informed the theatre of the Ancien Régime, where they enabled the actors to control the meaning of each production.

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